Screenwriting II — Week 3

Posted on: Wednesday, September 25, 2013

 Hello everyone,Those of you who pitched on Monday — good job. Those who will pitch next Monday —  concentrate on the main story and your main character. The more focused your pitch is, the better feedback we can offer you.

You don’t have to know your story form the beginning to the end. But I do want you to at least have an idea how you want to end it and where you want your character to end up. The details may change; they often do. But the idea — what you want to say — should stay the same, unless you want to write a new story. As for a “new story”, if you want to CHANGE the story you thought you’d be working on, do it now. By the end of next week you’re locked into your story.

Some of you asked me if he/she could pitch several stories. It’s a good idea, in general, but there’s not enough time to that in class. So if you have several ideas, you are welcome to email them to me or post them on Blackboard in your group’s page.

Write the biography of your main character. This is not an official assignment and you don’t need to upload it to Blackboard.
But I urge you to do this exercise. It will be of great help later on. Here are some questions you may want to consider:

Character Biography.pdf

Also, we talked abut story paradigms  or models.

Here’s the paradigms for McKee (Story)

And here’s one for Vogler (Writer’s Journey) based on Joseph Campbell’s “Hero’s Journey”.


We will talk more about the elements in Hero’s Journey later in the semester.


Comment on your groupmates’ pitches on Blackboard.
Here’s the list of those student who pitched on Monday:

Philip, Alba, Jamual, Daniel, John-Carlo, Patrick. Hopefully the rest of the class will pitch their stories next week.

Read VOGLER-Writer’s Journey (pp.23-49)

Read AVATAR SCREENPLAY (on Blackboard). The story follows the myth structure very closely.
I’ve said it before and I’ll keep saying until you’re sick of it (because it’s the truth): If you want to learn how to write,
read and analyze as many screenplay as you can get your hands on. You will learn to identify what works, what doesn’t, and why.

Pitching:  be prepared to pitch your stories. Try to avoid subplots and backstories. Concentrate only on the heart of your main story. Who is your main character? What is her desire? Who is her opponent? What does she do to overcome obstacles? What happens to her in the end? Does she grow as a person and how?

Questions? Email me:

See you Monday.

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